{"id":97,"date":"2024-04-01T07:40:44","date_gmt":"2024-04-01T07:40:44","guid":{"rendered":"https:\/\/niramart.com\/revista-magazine\/despre-liviu-antonesei-anatomia-unui-sentiment-de-carmen-catunescu\/"},"modified":"2024-04-01T07:40:44","modified_gmt":"2024-04-01T07:40:44","slug":"despre-liviu-antonesei-anatomia-unui-sentiment-de-carmen-catunescu","status":"publish","type":"page","link":"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/","title":{"rendered":"DESPRE LIVIU ANTONESEI: ANATOMIA UNUI SENTIMENT de CARMEN CATUNESCU"},"content":{"rendered":"<div id=\"main-col\">\n<div id=\"content\" class=\"hfeed\">\n<article class=\"post-68 post type-post status-publish format-standard hentry category-c42-articulos-romana category-c58-no-1-2-2010 excerpt category-16-id category-30-id post-seq-1 post-parity-odd meta-position-left-pullout fix\" id=\"post-68\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\/despre-liviu-antonesei-anatomia-unui-sentiment-de-carmen-catunescu\/\" class=\"entry-title\" rel=\"bookmark\" title=\"DESPRE LIVIU ANTONESEI: ANATOMIA UNUI SENTIMENT de CARMEN CATUNESCU\">DESPRE LIVIU ANTONESEI: ANATOMIA UNUI SENTIMENT de CARMEN CATUNESCU<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">04<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-04T21:32:30+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\">Un subiect fad, plictisitor, banalizat prin epuizare si vulgarizare a devenit, iata!, proaspat, efervescent, luminescent, clocotitor, pasional. E vorba despre dragoste. \u201eDespre dragoste. Anatomia unui sentiment\u201d, aparut on-line la Editura LiterNet 2004, editia a II-a, corectata si adaugita, se numeste si volumul scris de LiviuUn <a href=\"https:\/\/niramart.com\/revista-magazine\/despre-liviu-antonesei-anatomia-unui-sentiment-de-carmen-catunescu\/\" class=\"excerpt-more\">[&#8230;]<\/a><\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c42-articulos-romana\/\" rel=\"category tag\">Articole in limba romana<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-67 post type-post status-publish format-standard has-post-thumbnail hentry category-c42-articulos-romana category-c58-no-1-2-2010 excerpt category-16-id category-30-id post-seq-2 post-parity-even meta-position-left-pullout fix\" id=\"post-67\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\/fotografii-cu-suflet-natalie-schor-de-mihai-batog-bujenita\/\" class=\"entry-title\" rel=\"bookmark\" title=\"FOTOGRAFII CU SUFLET- NATALIE SCHOR \u2013 de MIHAI BATOG-BUJENITA\">FOTOGRAFII CU SUFLET- NATALIE SCHOR \u2013 de MIHAI BATOG-BUJENITA<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">04<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-04T21:27:49+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><a href=\"http:\/\/revistaniramart.wordpress.com\/2010\/03\/01\/fotografii-cu-suflet-natalie-schor-de-mihai-batog-bujenita\/\" target=\"_blank\" title=\"FOTOGRAFII CU SUFLET- NATALIE SCHOR \u2013 de MIHAI BATOG-BUJENITA\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2010\/03\/natalie_schor_7.jpg\" border=\"0\" alt=\"Natalie Schor: &quot;Cosanzeana&quot;\" width=\"122\" height=\"98\" style=\"float: left; border: 5px solid black; margin: 5px;\"\/><\/a>De ceva vreme, mai precis cam de cand majoritatea pustilor manuieste cu  dezinvoltura device-uri cu performante la care acum zece ani nici nu ne  puteam gandi, fotografia, generic vorbind, pare un mic moft la indemana  oricui.<\/p>\n<p class=\"bch4dcbow065stdpy\">Mai ales ca, de regula, mandri nevoie mare, cumparam aparate  care poarta denumiri legendare si cu care, un timp, fotografiem tot ce  ne iese in cale. Iar mai apoi ne fotografiem cu preponderenta pe noi insine, de cele mai multe ori cu limba scoasa, doar-doar vom semana cu  EINSTEIN si celebra sa poza.<\/p>\n<p class=\"bch4dcbow065stdpy\">\n<p class=\"bch4dcbow065stdpy\">\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c42-articulos-romana\/\" rel=\"category tag\">Articole in limba romana<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-66 post type-post status-publish format-standard hentry category-c42-articulos-romana category-c58-no-1-2-2010 excerpt category-16-id category-30-id post-seq-3 post-parity-odd meta-position-left-pullout fix\" id=\"post-66\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\/pentagonul-exilului-romanesc-prefata-de-romeo-niram-la-cartea-pentagonul-de-hector-martinez-sanz\/\" class=\"entry-title\" rel=\"bookmark\" title=\"PENTAGONUL EXILULUI ROMANESC \u2013 Prefata de Romeo Niram la Cartea \u201cPentagonul\u201d de H\u00e9ctor Mart\u00ednez Sanz\">PENTAGONUL EXILULUI ROMANESC \u2013 Prefata de Romeo Niram la Cartea \u201cPentagonul\u201d de H\u00e9ctor Mart\u00ednez Sanz<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">04<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-04T21:23:33+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\">APARITIE EDITORIALA,  ED. NIRAM ART, MADRID: PENTAGONUL EXILULUI ROMANESC: BRANCUSI, CIORAN, IONESCO, TZARA, ELIADE &#8211; o viziune a filosofului spaniol H\u00e9ctor Mart\u00ednez Sanz &#8211;   H\u00e9ctor Mart\u00ednez Sanz ofera cititorului spaniol, cu aceasta carte-eseu,  o surprinzatoare calatorie in universul a cinci giganti ai spiritului <a href=\"https:\/\/niramart.com\/revista-magazine\/pentagonul-exilului-romanesc-prefata-de-romeo-niram-la-cartea-pentagonul-de-hector-martinez-sanz\/\" class=\"excerpt-more\">[&#8230;]<\/a><\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c42-articulos-romana\/\" rel=\"category tag\">Articole in limba romana<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-65 post type-post status-publish format-standard has-post-thumbnail hentry category-c42-articulos-romana category-c58-no-1-2-2010 excerpt category-16-id category-30-id post-seq-4 post-parity-even meta-position-left-pullout fix\" id=\"post-65\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"- Gravura are un farmec aparte \u2013 INTERVIU CU MARINA NICOLAEV de Eva Defeses\">&#8211; Gravura are un farmec aparte \u2013 INTERVIU CU MARINA NICOLAEV de Eva Defeses<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">04<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-04T21:13:50+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\">E.D. Stimata Dna. Marina Nicolaev, urmarind activitatea dvs., m-am aflat in fata unei imposibilitati de a o caracteriza, de a identifica o latura principala; sunteti  in acelasi timp scriitor, artist plastic, arhitect, jurnalist, promotor cultural\u2026Care este ramura de activitate pe care o indragiti cel <a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"excerpt-more\">[&#8230;]<\/a><\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c42-articulos-romana\/\" rel=\"category tag\">Articole in limba romana<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-51 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-entrevistas category-c58-no-1-2-2010 excerpt category-18-id category-121-id category-30-id post-seq-5 post-parity-odd meta-position-left-pullout fix\" id=\"post-51\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"ENTREVISTA CON EL ARTISTA ALEM\u00c1N SIEGFRIED STILLER por Fabianni Belemuski\">ENTREVISTA CON EL ARTISTA ALEM\u00c1N SIEGFRIED STILLER por Fabianni Belemuski<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">04<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-04T20:11:42+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p style=\"text-align: justify;\"><em><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/2010\/03\/romeo_niram_stiller-w-150-h-100.jpg\" border=\"0\" width=\"150\" height=\"100\" style=\"float: left; border: 5px solid black; margin: 5px;\"\/>Hace a\u00f1os que <a href=\"http:\/\/www.atelier-stiller.de\/\"><strong>Siegfried  Stiller<\/strong><\/a>, rompedor y beligerante pintor alem\u00e1n reconocido  en Europa, logr\u00f3 que su nombre se identificara inconfundiblemente con la  rebeld\u00eda benigna por un mundo con menos desigualdades. Fiel a su  estilo, a su t\u00e9cnica pict\u00f3rica peculiar, Siegfried Stiller, present\u00f3 en  Espacio Niram de Madrid  la exposici\u00f3n Kunst ist frei. Nos  revela su  deseo m\u00e1s \u00edntimo acerca de su obra: \u201cesperanza, quiero transmitir  esperanza\u201d. Stiller invita al observador a tomar posici\u00f3n en contra de  las discriminaciones, la pobreza, las injusticias.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>&nbsp; <\/em><\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/entrevistas\/\" rel=\"category tag\">Entrevistas<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-49 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-literatura category-c58-no-1-2-2010 excerpt category-18-id category-120-id category-30-id post-seq-6 post-parity-even meta-position-left-pullout fix\" id=\"post-49\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\/el-luceafarul-de-eminescu-en-dario-y-espronceda-por-hector-martinez-sanz\/\" class=\"entry-title\" rel=\"bookmark\" title=\"EL LUCEAFARUL DE EMINESCU EN DAR\u00cdO Y ESPRONCEDA por H\u00c9CTOR MART\u00cdNEZ SANZ\">EL LUCEAFARUL DE EMINESCU EN DAR\u00cdO Y ESPRONCEDA por H\u00c9CTOR MART\u00cdNEZ SANZ<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">04<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-04T20:05:04+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<div class=\"entry\">\n<div class=\"snap_preview\">\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/2010\/01\/eminescu-busto-w-150-h-135.jpg\" border=\"0\" width=\"146\" height=\"131\" style=\"border: 0; float: left;\"\/><\/p>\n<p class=\"bch4dcbow065stdpy\">A ra\u00edz de las celebraciones del  aniversario de Mihai Eminescu inici\u00e9 en <em>Retrato Literario<\/em> una  serie de art\u00edculos sobre Eminescu y nuestra literatura espa\u00f1ola a trav\u00e9s  de <em>Mihai Eminescu y su \u201cRomancero espa\u00f1ol\u201d<\/em>. Con la intenci\u00f3n  de seguir celebrando el pr\u00f3ximo aniversario y continuar acerc\u00e1ndolo al  p\u00fablico espa\u00f1ol, hoy escribir\u00e9 acerca de la composici\u00f3n m\u00e1s celebrada  del poeta nacional rumano, <em>Luceaf?rul<\/em>, y el eco que este motivo  literario universal tiene en las letras hispanas en <em>A una estrella<\/em> de Jos\u00e9 de Espronceda y en <em>A Margarita Debayle<\/em> de Rub\u00e9n Dar\u00edo.<\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/literatura\/\" rel=\"category tag\">Literatura<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-48 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-bellas-artes category-c58-no-1-2-2010 excerpt category-18-id category-119-id category-30-id post-seq-7 post-parity-odd meta-position-left-pullout fix\" id=\"post-48\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\/vision-de-un-modelo-por-carla-nc\/\" class=\"entry-title\" rel=\"bookmark\" title=\"Visi\u00f3n de un modelo por Carla N.C.\">Visi\u00f3n de un modelo por Carla N.C.<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">04<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-04T20:02:12+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/2010\/03\/carla-w-118-h-150.jpg\" border=\"0\" width=\"88\" height=\"108\" style=\"float: left; border: 5px solid black; margin: 5px;\"\/>M.I.E.D.H.O. intenta sacar de sus modelos y de \u00e9l mismo una cr\u00edtica  hacia esta sociedad, cansada, sola. Pero su obra, ante todo es  bella.<\/p>\n<p class=\"bch4dcbow065stdpy\">La imagen oscura. Delante de la c\u00e1mara, s\u00f3lo con unos leves focos que  iluminan.  Interpretas un papel, un sentimiento, pero bas\u00e1ndote en tu  propia imagen interna. De lo que crees que haces ante el objetivo a lo  que realmente aportas a la obra no lo sabr\u00e1s nunca hasta no ver el  resultado. Ah\u00ed guardadas est\u00e1n las obras de arte. En lo que un artista  consigue sacar de las realidades para respetarlas o transformarlas a su  antojo<\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/bellas-artes\/\" rel=\"category tag\">Bellas Artes<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-47 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-entrevistas category-c58-no-1-2-2010 excerpt category-18-id category-121-id category-30-id post-seq-8 post-parity-even meta-position-left-pullout fix\" id=\"post-47\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\/hablando-con-el-fotografo-miedho-por-fabianni-belemuski\/\" class=\"entry-title\" rel=\"bookmark\" title=\"Hablando con el fot\u00f3grafo MIEDHO por Fabianni Belemuski\">Hablando con el fot\u00f3grafo MIEDHO por Fabianni Belemuski<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">04<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-04T19:55:52+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><strong><em><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2010\/05\/miedho-1024x679.jpg\" border=\"0\" width=\"177\" height=\"126\" style=\"float: left; border: 4px solid black; margin: 4px;\"\/>F.B. \u00bfHace cuanto tiempo se dedica al mundo del arte?<\/em><\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\"><em>&nbsp; <\/em><\/p>\n<p class=\"bch4dcbow065stdpy\"><strong><em>M. <\/em><\/strong><em>Contando con mi aprendizaje en  bellas artes, unos 7 a\u00f1os aproximadamente. Aunque siempre me ha  interesado el arte. Quiz\u00e1s no el arte m\u00e1s tradicional o cl\u00e1sico, pero  siempre he sentido especial gusto por todo aquello que supone un acto de  expresi\u00f3n; una canci\u00f3n, un c\u00f3mic, ya sabes.<\/em><\/p>\n<p class=\"bch4dcbow065stdpy\"><strong><em>F.B. \u00bfQu\u00e9 visi\u00f3n general del arte contempor\u00e1neo tiene?<\/em><\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\"><em>&nbsp; <\/em><\/p>\n<p class=\"bch4dcbow065stdpy\"><strong><em>M. <\/em><\/strong><em>Ahora est\u00e1 todo muy confuso, por un  lado tenemos un c\u00edrculo muy cerrado de arte contempor\u00e1neo que pertenece a  una esfera muy elitista. Ellos crean un arte que muchas veces para el  p\u00fablico es de dif\u00edcil comprensi\u00f3n  y que a veces parece una broma para  el espectador. Otras veces son provocaciones sin mucho sentido y ya en  menor medida encontramos trabajos m\u00e1s interesantes. Estoy hablando de  todos esos artistas que est\u00e1n arropados por galer\u00edas e instituciones, de  alguna manera oficiales, que le otorgan al artista una posici\u00f3n  privilegiada para hacer lo que quieran, incluso re\u00edrse de su p\u00fablico, al  fin y al cabo, seg\u00fan ellos eso es arte.<\/em><\/p>\n<p class=\"bch4dcbow065stdpy\"><em>&nbsp; <\/em><\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/entrevistas\/\" rel=\"category tag\">Entrevistas<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-46 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-bellas-artes category-c58-no-1-2-2010 excerpt category-18-id category-119-id category-30-id post-seq-9 post-parity-odd meta-position-left-pullout fix\" id=\"post-46\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\/la-indiferencia-el-miedo-y-el-arte-por-miedho\/\" class=\"entry-title\" rel=\"bookmark\" title=\"LA INDIFERENCIA, EL MIEDO Y EL ARTE por MIEDHO\">LA INDIFERENCIA, EL MIEDO Y EL ARTE por MIEDHO<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">04<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-04T19:53:35+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/2010\/03\/miedho-w-241-h-300.png\" border=\"0\" alt=\"MIEDHO\" width=\"188\" height=\"232\" style=\"float: left; border: 4px solid black;\"\/>\u00a1Qu\u00e9 f\u00e1cil es ser dominado por la indiferencia y desconectar del  mundo con un solo bot\u00f3n!<\/p>\n<p style=\"text-align: justify;\">El otro d\u00eda, entrando a la estaci\u00f3n de tren de Pr\u00edncipe P\u00edo, me  encontr\u00e9 con un extra\u00f1o panorama; una familia (los padres y un hijo)  acompa\u00f1ados por uno guardias de seguridad y algunos polic\u00edas.<\/p>\n<p style=\"text-align: justify;\">En ese momento justo introduje el billete para pasar por los tornos.  El ambiente me llam\u00f3 la atenci\u00f3n. Sin duda hab\u00eda ocurrido algo, pero no  pod\u00eda encajar las piezas de lo sucedido, as\u00ed que segu\u00ed hasta mi anden  sin preocuparme por nada m\u00e1s. Mi sorpresa fue encontrarme a un sujeto  inmovilizado en el suelo por otros guardias de seguridad. Estaba  gritando y se retorc\u00eda in\u00fatilmente.<\/p>\n<p style=\"text-align: justify;\">Me dol\u00eda la cabeza y estaba algo cansado. As\u00ed que me puse los cascos y  conecte mi mp3 para escuchar Lamb Of God de Marilyn Manson. Fue  incre\u00edble, pero en cuesti\u00f3n de unos pocos segundos me evad\u00ed totalmente.  Ya no escuchaba los gritos del presunto delincuente, tampoco los  sollozos de la familia. Ya no escuchaba nada. He de confesar que me  sorprend\u00ed de mi reacci\u00f3n, de mi total indiferencia ante aquella  situaci\u00f3n, me parecieron tan lejanos.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/bellas-artes\/\" rel=\"category tag\">Bellas Artes<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-30 post type-post status-publish format-standard has-post-thumbnail hentry category-c39-articulos-espanol category-literatura category-c58-no-1-2-2010 excerpt category-18-id category-120-id category-30-id post-seq-10 post-parity-even meta-position-left-pullout fix\" id=\"post-30\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\/la-tora-de-hector-martinez-sanz-por-romeo-niram\/\" class=\"entry-title\" rel=\"bookmark\" title=\"La Tor\u00e1 de H\u00e9ctor Mart\u00ednez Sanz por Romeo Niram\">La Tor\u00e1 de H\u00e9ctor Mart\u00ednez Sanz por Romeo Niram<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Mar<\/span> <span class=\"day\">03<\/span><span class=\"year\">2010<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2010-03-03T00:52:46+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><span style=\"font-weight: bold; font-style: italic;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2010\/03\/pastarchives.jpg\" border=\"0\" width=\"128\" height=\"96\" style=\"float: left; border: 4px solid black; margin: 5px;\"\/>Pr\u00f3logo al libro  PENTAGONO de H\u00e9ctor Mart\u00ednez Sanz, <a href=\"http:\/\/niramart.mosaicglobe.com\/blog\/2289\">Niram Art Editorial<\/a>,  2010<\/span><\/p>\n<hr style=\"width: 100%; height: 2px;\"\/>\n<p class=\"bch4dcbow065stdpy\"><span lang=\"RO\"><a href=\"http:\/\/retratoliterario.wordpress.com\/\"><span style=\"font-weight: bold;\">H\u00e9ctor Mart\u00ednez Sanz <\/span><\/a>ofrece al lector espa\u00f1ol, con este libro-ensayo, un sorprendente viaje en el universo de cinco  gigantes del esp\u00edritu universal. Ninguno de los cinco miembros de su Pent\u00e1gono es desconocido para el p\u00fablico espa\u00f1ol: Constantin Brancusi \u2013 el padre de  la escultura moderna-, Emil Cioran \u2013 el nihilista del siglo XX-, Eug\u00e8ne Ionesco \u2013 el maestro del &#8220;teatro absurdo\u201d-, Trist\u00e1n Tzara \u2013 el fundador del  movimiento dada\u00edsta-, Mircea Eliade \u2013 llamado &#8220;el Historiador de las Religiones\u201d. <\/span><\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/literatura\/\" rel=\"category tag\">Literatura<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" rel=\"category tag\">N\u00ba 1 &#8211; 2, 2010<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<div class=\"page-nav fix\">\n<div class=\"suf-page-nav fix\"> <span class=\"page-index\">Page 1 of 2<\/span> <span class=\"page-numbers current\">1<\/span> <a class=\"page-numbers\" href=\"https:\/\/niramart.com\/revista-magazine\">2<\/a> <a class=\"next page-numbers\" href=\"https:\/\/niramart.com\/revista-magazine\">Older Entries<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false,"raw":""},"excerpt":{"rendered":"<p>DESPRE LIVIU ANTONESEI: ANATOMIA UNUI SENTIMENT de CARMEN CATUNESCU [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-97","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>N\u00ba 1 - 2, 2010 \u00bb Niram Art Magazine<\/title>\n<meta name=\"description\" content=\"Niram Art N\u00ba 1 \u2013 2, 2010\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"N\u00ba 1 - 2, 2010 \u00bb Niram Art Magazine\" \/>\n<meta property=\"og:description\" content=\"Niram Art N\u00ba 1 \u2013 2, 2010\" \/>\n<meta property=\"og:url\" content=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/\" \/>\n<meta property=\"og:site_name\" content=\"Niram Art Magazine\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"N\u00ba 1 - 2, 2010 \u00bb Niram Art Magazine","description":"Niram Art N\u00ba 1 \u2013 2, 2010","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/","og_type":"article","og_title":"N\u00ba 1 - 2, 2010 \u00bb Niram Art Magazine","og_description":"Niram Art N\u00ba 1 \u2013 2, 2010","og_url":"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c58-no-1-2-2010\/","og_site_name":"Niram Art Magazine","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"6 minutes"}},"_links":{"self":[{"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/pages\/97","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/types\/page"}],"replies":[{"embeddable":true,"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/comments?post=97"}],"version-history":[{"count":0,"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/pages\/97\/revisions"}],"wp:attachment":[{"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/media?parent=97"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}