{"id":96,"date":"2024-04-01T07:40:44","date_gmt":"2024-04-01T07:40:44","guid":{"rendered":"https:\/\/niramart.com\/revista-magazine\/lo-judio-lo-hebreo-y-lo-israeli-2\/"},"modified":"2024-04-01T07:40:44","modified_gmt":"2024-04-01T07:40:44","slug":"lo-judio-lo-hebreo-y-lo-israeli-2","status":"publish","type":"page","link":"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/","title":{"rendered":"LO JUD\u00cdO, LO HEBREO Y LO ISRAEL\u00cd"},"content":{"rendered":"<div id=\"main-col\">\n<div id=\"content\" class=\"hfeed\">\n<article class=\"post-256 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-literatura category-c57-no-3-4-2012 tag-hebreo tag-israel tag-judaismo tag-judio tag-niram-art excerpt category-18-id category-120-id category-29-id post-seq-1 post-parity-odd meta-position-left-pullout fix\" id=\"post-256\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"LO JUD\u00cdO, LO HEBREO Y LO ISRAEL\u00cd\">LO JUD\u00cdO, LO HEBREO Y LO ISRAEL\u00cd<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Feb<\/span> <span class=\"day\">01<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-02-01T19:59:34+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><strong>Por Diego Vadillo L\u00f3pez<\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\"><strong><br class=\"bch4dcbow065stdpy\"\/><em>Licenciado en Ciencias Pol\u00edticas y de la Administraci\u00f3n por la Universidad Complutense de Madrid en la especialidad de Relaciones Internacionales<\/em><br class=\"bch4dcbow065stdpy\"\/><\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\">\n<p class=\"bch4dcbow065stdpy\">Habitualmente se suele producir una confusi\u00f3n entre lo jud\u00edo, lo hebreo y lo israel\u00ed. Se equiparan los tres conceptos y se emplean como sin\u00f3nimos con suma frecuencia, incurri\u00e9ndose en errores que, por nimios que puedan parecer, son de bulto.<\/p>\n<p class=\"bch4dcbow065stdpy\">Se suele producir un fen\u00f3meno que podr\u00edamos calificar de sinecd\u00f3quico en el sentido de emplearse habitualmente la parte por el todo. Por ello, trataremos de arrojar cierta luz al respecto a lo largo de las l\u00edneas que siguen a \u00e9stas.<\/p>\n<p class=\"bch4dcbow065stdpy\">Habitada por una peque\u00f1a comunidad en la antigua \u00e9poca de las grandes civilizaciones anteriores a nuestra era, Israel ocupaba un papel de mera tierra de paso. En dicho contexto, y de forma m\u00e1s racional que m\u00edtica, brotar\u00edan las sagas, que parafraseaban a los patriarcas del pasado, las cuales propiciar\u00edan la aparici\u00f3n del juda\u00edsmo, primera religi\u00f3n monote\u00edsta que tanta vigencia sigue teniendo en nuestros d\u00edas.<\/p>\n<p class=\"bch4dcbow065stdpy\">\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/literatura\/\" rel=\"category tag\">Literatura<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<li class=\"fix\"><span class=\"tags tax\"><span class=\"icon\">&nbsp;<\/span>Tagged with: <a href=\"https:\/\/niramart.com\/revista-magazine\" rel=\"tag\">hebreo<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/tag\/israel\/\" rel=\"tag\">israel<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\" rel=\"tag\">judaismo<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\" rel=\"tag\">jud\u00edo<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/tag\/niram-art\/\" rel=\"tag\">niram art<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-255 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-bellas-artes category-c57-no-3-4-2012 excerpt category-18-id category-119-id category-29-id post-seq-2 post-parity-even meta-position-left-pullout fix\" id=\"post-255\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"RAMI MEIRI, REDENTOR DE FACHADAS\">RAMI MEIRI, REDENTOR DE FACHADAS<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Feb<\/span> <span class=\"day\">01<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-02-01T19:50:40+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><strong><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2012\/02\/rami-meiri-6.jpg\" border=\"0\" alt=\"Rami Meiri\" width=\"237\" height=\"167\" style=\"float: left; margin: 4px;\"\/>por Diego Vadillo L\u00f3pez<\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\">El progreso humano en el correr de los siglos ha ido actuando sobre la epidermis planetaria. Las masas de cemento y hormig\u00f3n han ido paulatinamente poblando incluso los terrenos \u201ca priori\u201d menos barajables como adecuados para la edificabilidad.<\/p>\n<p class=\"bch4dcbow065stdpy\">As\u00ed las cosas, los nacidos en territorio urbano, hemos crecido transitando calles y avenidas muchas de cuyas paredes se mostraban grafiteadas con m\u00e1s o menos fortuna. Cuando el resultado era feliz, la calle, a su vez, era elevada a la categor\u00eda de pinacoteca o galer\u00eda pict\u00f3rica; cuando no, no s\u00f3lo quedaba malograda la obra, tambi\u00e9n la propia v\u00eda p\u00fablica resultaba condenada a ofrecer su faz m\u00e1s desapacible, perdido el buen gusto por entre el indecoroso e intrincado garabateo.<\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/bellas-artes\/\" rel=\"category tag\">Bellas Artes<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-254 post type-post status-publish format-standard has-post-thumbnail hentry category-c39-articulos-espanol category-literatura category-c57-no-3-4-2012 excerpt category-18-id category-120-id category-29-id post-seq-3 post-parity-odd meta-position-left-pullout fix\" id=\"post-254\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"EL ARTE SIN CONSECUENCIAS Y LA FASCINACI\u00d3N IRREAL DE ZARA\">EL ARTE SIN CONSECUENCIAS Y LA FASCINACI\u00d3N IRREAL DE ZARA<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Feb<\/span> <span class=\"day\">01<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-02-01T19:43:04+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><strong><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2012\/02\/gregor schneider installation at bondi beach 2007 -04.jpg\" border=\"0\" width=\"213\" height=\"322\" style=\"margin: 5px; float: left;\"\/>por Fabianni Belemuski<\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\">Me he tomado la libertad de parafrasear la conocida f\u00f3rmula de Jean Baudrillard, \u201cevento sin consecuencias\u201d que el fil\u00f3sofo franc\u00e9s utiliza en Las estrategias fatales para referirme tambi\u00e9n al desenvolvimiento del arte contempor\u00e1neo. Creo que el concepto ilustra adecuadamente un arte para nada original, pero no puedo dejar de pensar en una frase de Jed Martin, protagonista de la novela El mapa y el territorio de Michel Houellebecq quien concluye irrevocablemente despu\u00e9s de poner fin a su obra art\u00edstica, a la creaci\u00f3n: \u201cllega un momento en la vida en el que parece que ya est\u00e1 todo dicho\u201d.<\/p>\n<p class=\"bch4dcbow065stdpy\">\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/literatura\/\" rel=\"category tag\">Literatura<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-249 post type-post status-publish format-standard has-post-thumbnail hentry category-c39-articulos-espanol category-literatura category-c57-no-3-4-2012 excerpt category-18-id category-120-id category-29-id post-seq-4 post-parity-even meta-position-left-pullout fix\" id=\"post-249\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"ALBA AZUCENA TORRES, LA FAZ ESPERANZADA DEL ESCEPTICISMO\">ALBA AZUCENA TORRES, LA FAZ ESPERANZADA DEL ESCEPTICISMO<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Feb<\/span> <span class=\"day\">01<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-02-01T19:33:56+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><strong><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2012\/02\/img001.jpg\" border=\"0\" width=\"216\" height=\"293\" style=\"margin-left: 4px; margin-right: 4px; float: left;\"\/>Por Diego Vadillo L\u00f3pez<\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\"><strong>Ilustraciones por Tudor Serbanescu<\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\">Leyendo el poemario \u201cCeniza y agua\u201d (Globus, Mosc\u00fa, 2010) uno percibe cierto suave escepticismo sobre el que remonta, en \u00faltima instancia, un halo de esperanzado balance.<\/p>\n<p class=\"bch4dcbow065stdpy\">Muy al contrario se expresaba el tambi\u00e9n esc\u00e9ptico y brillante columnista Jos\u00e9 Luis Alvite cuando escrib\u00eda: \u201cCada vez que alguien me sugiere algo que le parece interesante, cualquier cosa que supone que podr\u00eda apasionarme, le contesto que habr\u00eda sido mucho mejor en otro momento, alg\u00fan tiempo atr\u00e1s, cuando de cualquier decisi\u00f3n acertada que tomase estuviese seguro de disponer luego de tiempo para permitirme el placer de recordarla\u201d, a lo que a\u00f1ad\u00eda, tras el punto y seguido: \u201cConsidero que en mi vida ha llegado el momento de renunciar a la posibilidad de que me ocurran cosas memorables con cuya evocaci\u00f3n pueda disfrutar el d\u00eda de ma\u00f1ana\u201d (\u201cLa Raz\u00f3n\u201d, 17-9-2011, p\u00e1gina 12).<\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/literatura\/\" rel=\"category tag\">Literatura<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-242 post type-post status-publish format-standard has-post-thumbnail hentry category-c39-articulos-espanol category-literatura category-c57-no-3-4-2012 excerpt category-18-id category-120-id category-29-id post-seq-5 post-parity-odd meta-position-left-pullout fix\" id=\"post-242\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"HORIZONTES IMPENSADOS. \u00abPROFUNDIDAD DE CAMPO\u00bb, DE YOLANDA CASTA\u00d1O\">HORIZONTES IMPENSADOS. \u00abPROFUNDIDAD DE CAMPO\u00bb, DE YOLANDA CASTA\u00d1O<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Feb<\/span> <span class=\"day\">01<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-02-01T19:28:13+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><strong><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2012\/02\/portada de profundidad de campo.jpg\" border=\"0\" width=\"217\" height=\"307\" style=\"float: left;\"\/>Diego Vadillo L\u00f3pez<\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\">Perteneciente a una generaci\u00f3n atracada en la vida adulta cuando todos los campos estaban copados por precedentes promociones, por ende sentadas antes a la mesa; observando su trayectoria el visitante se dar\u00e1 pronto cuenta de que Yolanda Casta\u00f1o opt\u00f3 por la mejor v\u00eda que ten\u00eda a mano su generaci\u00f3n: una mezcla de voluntad y de imaginaci\u00f3n.<\/p>\n<p class=\"bch4dcbow065stdpy\">Haciendo siquiera sucinta revisi\u00f3n del curr\u00edculo de la polifac\u00e9tica gallega pronto nos percatamos de que se trata de una gran emprendedora. Una conseguidora. \u00bfA caso no es meritorio alcanzar la primera l\u00ednea po\u00e9tica a nivel nacional partiendo de una lengua cooficial como el gallego?<\/p>\n<p class=\"bch4dcbow065stdpy\">Esta mujer tambi\u00e9n ha hecho cohabitar a las diferentes disciplinas art\u00edsticas, implicando, adem\u00e1s, a \u00e9stas con las nuevas tecnolog\u00edas. Ella misma compagina su faceta de escritora con la de galerista o la de comunicadora.<\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/literatura\/\" rel=\"category tag\">Literatura<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-240 post type-post status-publish format-standard has-post-thumbnail hentry category-c39-articulos-espanol category-bellas-artes category-c57-no-3-4-2012 excerpt category-18-id category-119-id category-29-id post-seq-6 post-parity-even meta-position-left-pullout fix\" id=\"post-240\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"POR ENTRE LAS S\u00c1BANAS Y LOS SUE\u00d1OS, RITA MARTORELL\">POR ENTRE LAS S\u00c1BANAS Y LOS SUE\u00d1OS, RITA MARTORELL<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Feb<\/span> <span class=\"day\">01<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-02-01T19:02:14+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><strong><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2012\/02\/sabana iii 2010.jpg\" border=\"0\" width=\"238\" height=\"213\" style=\"float: left;\"\/>por H\u00e9ctor Mart\u00ednez Sanz<\/strong><\/p>\n<p class=\"bch4dcbow065stdpy\">Acto cotidiano donde los haya, despertar, levantarse y hacer la cama.  A veces he pensado c\u00f3mo es posible haber llegado a semejante revoltijo  de tela a lo largo de la noche. Tan s\u00f3lo recuerdo su estado de  perfecci\u00f3n racional y geom\u00e9trica al hundirme entre ellas y el caos que  en la ma\u00f1ana gobierna a las s\u00e1banas. Pero es un acto enfermizo, de  necesidad de orden, el devolverles su estiramiento, borrar sus arrugas y  los caprichos de los pliegues nocturnos. No hab\u00eda reparado a\u00fan en las  ondulaciones, en las curvaturas que impresas todav\u00eda figuraban las  partes de mi cuerpo, en el dibujo que trazaban como soporte de mis  sue\u00f1os. Algunos duermen y apenas se mueven. Sus s\u00e1banas quedan como  estaban al principio, impolutas de cualquier requiebro del cuerpo y el  subconsciente. Otros nos retorcemos de lado a lado, vuelta y vuelta,  hasta cartografiar el mundo que se ve con los ojos cerrados.<\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/bellas-artes\/\" rel=\"category tag\">Bellas Artes<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-259 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-bellas-artes category-c57-no-3-4-2012 excerpt category-18-id category-119-id category-29-id post-seq-7 post-parity-odd meta-position-left-pullout fix\" id=\"post-259\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"Ricardo Paula, nueva exposici\u00f3n en MAC Lisboa\">Ricardo Paula, nueva exposici\u00f3n en MAC Lisboa<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Jan<\/span> <span class=\"day\">10<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-01-10T16:21:33+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\">El <strong><a href=\"http:\/\/www.movimentoartecontemporanea.com\/\">MAC \u2013 Lisboa<\/a><\/strong>,  en colaboraci\u00f3n con el Museo del Agua, inaugura el 10 de mayo de 2012, a  las 19:00h,  una exposici\u00f3n individual de pinturas del artista <strong>Ricardo Paula<\/strong>,<br class=\"bch4dcbow065stdpy\"\/> \u201cEl \u00e1tico donde guard\u00e9 el alma\u201d.<\/p>\n<p class=\"bch4dcbow065stdpy\"><strong>Ricardo Paula <\/strong>(1964) es designer de formaci\u00f3n, planificador gr\u00e1fico de cinema y televisi\u00f3n, <em>Art-Director<\/em> en varias agencias de publicidad. El nombre de Ricardo Paula  surge  como uno de los mas destacados pintores portugueses de su generaci\u00f3n.<\/p>\n<p class=\"bch4dcbow065stdpy\">\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/bellas-artes\/\" rel=\"category tag\">Bellas Artes<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-258 post type-post status-publish format-standard hentry category-c41-articulos-portugues category-c57-no-3-4-2012 excerpt category-15-id category-29-id post-seq-8 post-parity-even meta-position-left-pullout fix\" id=\"post-258\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"O Sot\u00e3o onde Guardei a Alma.\">O Sot\u00e3o onde Guardei a Alma.<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Jan<\/span> <span class=\"day\">10<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-01-10T16:17:01+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal<\/w:View> <w:Zoom>0<\/w:Zoom> <w:TrackMoves \/> <w:TrackFormatting \/> <w:HyphenationZone>21<\/w:HyphenationZone> <w:PunctuationKerning \/> <w:ValidateAgainstSchemas \/> 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\/> <w:LsdException Locked=\"false\" Priority=\"32\" SemiHidden=\"false\"    UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Intense Reference\" \/> <w:LsdException Locked=\"false\" Priority=\"33\" SemiHidden=\"false\"    UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Book Title\" \/> <w:LsdException Locked=\"false\" Priority=\"37\" Name=\"Bibliography\" \/> <w:LsdException Locked=\"false\" Priority=\"39\" QFormat=\"true\" Name=\"TOC Heading\" \/> <\/w:LatentStyles> <\/xml><![endif]--><!--[if gte mso 10]> <mce:style><!   \/* Style Definitions *\/  table.MsoNormalTable \t{mso-style-name:\"Tabla normal\"; \tmso-tstyle-rowband-size:0; \tmso-tstyle-colband-size:0; \tmso-style-noshow:yes; \tmso-style-priority:99; \tmso-style-qformat:yes; \tmso-style-parent:\"\"; \tmso-padding-alt:0cm 5.4pt 0cm 5.4pt; \tmso-para-margin:0cm; \tmso-para-margin-bottom:.0001pt; \tmso-pagination:widow-orphan; \tfont-size:11.0pt; \tfont-family:\"Calibri\",\"sans-serif\"; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:\"Times New Roman\"; \tmso-fareast-theme-font:minor-fareast; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:Arial; \tmso-bidi-theme-font:minor-bidi;} --> <!--[endif] --><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><a href=\"http:\/\/www.movimentoartecontemporanea.com\/\"><strong><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2012\/04\/ricardo_paula.jpg\" border=\"0\" width=\"134\" height=\"348\" style=\"float: left; margin: 2px;\"\/>O MAC &#8211; Movimento Arte Contempor\u00e2nea<\/strong><\/a>, em parceria com o<strong> Museu da \u00c1gua<\/strong>, inaugura no dia 10 de Maio de 2012, pelas 19.00 h. a mostra individual de pintura do artista pl\u00e1stico<strong> Ricardo Paula<\/strong>, <em>O Sot\u00e3o onde Guardei a Alma<\/em>.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">A exposi\u00e7\u00e3o estar\u00e1 patente ao p\u00fablico at\u00e9 dia 02 de Junho, de 2012, no Reservat\u00f3rio da M\u00e3e d\u2019\u00c1gua, nas Amoreiras.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c41-articulos-portugues\/\" rel=\"category tag\">Artigos em Portugu\u00eas<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-257 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-bellas-artes category-c57-no-3-4-2012 excerpt category-18-id category-119-id category-29-id post-seq-9 post-parity-odd meta-position-left-pullout fix\" id=\"post-257\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"Teresa Mendon\u00e7a y Lourdes Leite en  exposici\u00f3n simult\u00e1nea\">Teresa Mendon\u00e7a y Lourdes Leite en  exposici\u00f3n simult\u00e1nea<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Jan<\/span> <span class=\"day\">10<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-01-10T16:06:33+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal<\/w:View> <w:Zoom>0<\/w:Zoom> <w:TrackMoves \/> <w:TrackFormatting \/> <w:HyphenationZone>21<\/w:HyphenationZone> 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\tfont-family:\"Calibri\",\"sans-serif\"; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:\"Times New Roman\"; \tmso-fareast-theme-font:minor-fareast; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:Arial; \tmso-bidi-theme-font:minor-bidi;} --> <!--[endif] --><\/p>\n<p class=\"MsoNormal\" style=\"text-align: left;\"><span lang=\"PT\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/wp-content\/uploads\/2012\/04\/teresamlourdesl2-2-381x500.jpg\" border=\"0\" width=\"198\" height=\"258\" style=\"float: left; border: 3px solid black; margin: 3px;\"\/>El <a href=\"http:\/\/www.movimentoartecontemporanea.com\/\"><strong>Movimiento de Arte Contempor\u00e1neo<\/strong><\/a> (MAC \u2013 Lisboa) y las artistas pl\u00e1sticas portuguesas <strong>Teresa Mendon\u00e7a y Lourdes Leite<\/strong>, anuncian un mes de abril dedicado al arte.<\/p>\n<p class=\"bch4dcbow065stdpy\"> En la galer\u00eda MAC de la Rua do Sol ao Rato 9c, Lisboa se inaugura la exposici\u00f3n <span class=\"bch4dcbow065stdpy\">&nbsp; <\/span>la<strong> &#8220;Pasaje al mundo de los secretos&#8221; de Teresa Mendon\u00e7a<\/strong> y a pocos metros de distancia, en la galer\u00eda MAC de Av. Alvares Cabral, 58-60, se abre un mundo de placer con <strong>&#8220;\u00c9rase una vez &#8230;&#8221;, la exposici\u00f3n de Lourdes Leite<\/strong>. <\/span><\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/bellas-artes\/\" rel=\"category tag\">Bellas Artes<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<article class=\"post-261 post type-post status-publish format-standard hentry category-c39-articulos-espanol category-bellas-artes category-c57-no-3-4-2012 excerpt category-18-id category-119-id category-29-id post-seq-10 post-parity-even meta-position-left-pullout fix\" id=\"post-261\">\n<header class=\"post-header title-container fix\">\n<div class=\"title\">\n<h2 class=\"posttitle\"><a href=\"https:\/\/niramart.com\/revista-magazine\" class=\"entry-title\" rel=\"bookmark\" title=\"Baruch Elron by H\u00e9ctor Mart\u00ednez Sanz\">Baruch Elron by H\u00e9ctor Mart\u00ednez Sanz<\/a><\/h2>\n<\/div>\n<div class=\"date\"><span class=\"month\">Jan<\/span> <span class=\"day\">10<\/span><span class=\"year\">2012<\/span><\/div>\n<\/header>\n<p> <span class=\"post-format-icon\">&nbsp;<\/span><span class=\"updated\" title=\"2012-01-10T00:00:00+00:00\">&nbsp;<\/span><\/p>\n<div class=\"entry-container fix\">\n<div class=\"entry entry-content fix\">\n<p class=\"bch4dcbow065stdpy\"><!--[if !mso]> <mce:style><!  v:* {behavior:url(#default#VML);} o:* {behavior:url(#default#VML);} w:* {behavior:url(#default#VML);} .shape {behavior:url(#default#VML);} 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\tmso-tstyle-colband-size:0; \tmso-style-noshow:yes; \tmso-style-priority:99; \tmso-style-qformat:yes; \tmso-style-parent:\"\"; \tmso-padding-alt:0cm 5.4pt 0cm 5.4pt; \tmso-para-margin-top:0cm; \tmso-para-margin-right:0cm; \tmso-para-margin-bottom:10.0pt; \tmso-para-margin-left:0cm; \tline-height:115%; \tmso-pagination:widow-orphan; \tfont-size:11.0pt; \tfont-family:\"Calibri\",\"sans-serif\"; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; \tmso-bidi-font-family:Arial; \tmso-bidi-theme-font:minor-bidi; \tmso-fareast-language:EN-US;} --> <!--[endif] --><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; line-height: 150%;\"><strong><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/niramart.com\/revista-magazine\/files\/niramarteditorial-sub\/wp-content\/uploads\/2011\/11\/baruch-elron-226x300.jpg\" border=\"0\" width=\"174\" height=\"229\" style=\"float: left; border: 2px solid black; margin: 3px;\"\/>Foreword of the book Baruch Elron by H\u00e9ctor Mart\u00ednez Sanz, Niram Art Editorial 2012<\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; line-height: 150%;\"><strong><br class=\"bch4dcbow065stdpy\"\/><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; line-height: 150%;\">Spring has already arrived at my window. I gaze through it at people with hats riding their High Wheeler Gran Bi, some birds flip their feathered hands and scissors take off in a fllight while the trees smile with their old face carved by experience. A distant music plays on the chords of a feminine cello, accompanied in its melody by a standing harp, both directed by the musical note composed by a trumpet. The flowers are lending their garments to all the women who pass in front of me and I can find in them the same youthful beauty.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify; line-height: 150%;\">A bit farther, a man with heavy eyebrows and penetrating look, owner of a perfectly rounded goatee is waiting for me with a golden pocket watch in his hand. There are two small paper notes in my window. The first one says: \u201cnon nova sed nove\u201d and on the other smaller one it is written: \u201cElron\u201d. I take my hat my Gran Bi, my watch and I go out to meet him.<\/p>\n<\/div>\n<div class=\"meta-pullout meta-left-pullout\">\n<ul>\n<li class=\"fix\"><span class=\"category\"><span class=\"icon\">&nbsp;<\/span> <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c39-articulos-espanol\/\" rel=\"category tag\">Articulos espa\u00f1ol<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/bellas-artes\/\" rel=\"category tag\">Bellas Artes<\/a>, <a href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" rel=\"category tag\">N\u00ba 3 &#8211; 4, 2012<\/a><\/span><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<footer class=\"post-footer postdata fix\"> <\/footer>\n<\/article>\n<div class=\"page-nav fix\">\n<div class=\"suf-page-nav fix\"> <span class=\"page-index\">Page 1 of 2<\/span> <span class=\"page-numbers current\">1<\/span> <a class=\"page-numbers\" href=\"https:\/\/niramart.com\/revista-magazine\">2<\/a> <a class=\"next page-numbers\" href=\"https:\/\/niramart.com\/revista-magazine\">Older Entries<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false,"raw":""},"excerpt":{"rendered":"<p>LO JUD\u00cdO, LO HEBREO Y LO ISRAEL\u00cd Feb 012012 [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-96","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>N\u00ba 3 - 4, 2012 \u00bb Niram Art Magazine<\/title>\n<meta name=\"description\" content=\"Niram\u00a0 Art N\u00ba 1 \u2013 2, 2012\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"N\u00ba 3 - 4, 2012 \u00bb Niram Art Magazine\" \/>\n<meta property=\"og:description\" content=\"Niram\u00a0 Art N\u00ba 1 \u2013 2, 2012\" \/>\n<meta property=\"og:url\" content=\"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/\" \/>\n<meta property=\"og:site_name\" content=\"Niram Art Magazine\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"N\u00ba 3 - 4, 2012 \u00bb Niram Art Magazine","description":"Niram\u00a0 Art N\u00ba 1 \u2013 2, 2012","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/","og_type":"article","og_title":"N\u00ba 3 - 4, 2012 \u00bb Niram Art Magazine","og_description":"Niram\u00a0 Art N\u00ba 1 \u2013 2, 2012","og_url":"https:\/\/niramart.com\/revista-magazine\/category\/s5-articulos\/c57-no-3-4-2012\/","og_site_name":"Niram Art Magazine","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"8 minutes"}},"_links":{"self":[{"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/pages\/96","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/types\/page"}],"replies":[{"embeddable":true,"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/comments?post=96"}],"version-history":[{"count":0,"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/pages\/96\/revisions"}],"wp:attachment":[{"href":"https:\/\/niramart.com\/revista-magazine\/wp-json\/wp\/v2\/media?parent=96"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}